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Ursula Hentschlaeger
When she was eight years old, the first
love was an out-of-tune piano, and even today, no form of
expression can compare to the immediacy of playing music
actively. It almost seems as if it is possible to be completely
liberated from one's own self in this moment of abandon. In the
mid-1980ies, she saw the inside of a recording studio for the
first time, and the piece "Weiße Wände"
("White Walls") was produced on analogue TASCAM
equipment. On his "Fadi Sampler", Wolfgang Fadi
Dorninger extended an invitation to the publication of the
piece "Heimat bist Du großer Söhne"
("Native home of great sons", a line from the
Austrian national anthem). That was in the early 1990ies.
However, it was only when work on zeitgenossen.com began and
sound modules were much in demand that she took up regular
production.
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MUSIC
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www.zeitgenossen.com Sound Samples
Phantasma 2003 - 2005 > Katastasis 4
> Faun
Phantasma 2003 - 2005 > Katastasis 2
> Medusa
Binary Art Site 1999 > Starsound
Binary Art Site 1999 > Panorama
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