Zelko Wiener > Exhibition Shots and Reviews

Zelko Wiener

Reviews

Thomas Dreher

Zelko Wiener, in his contribution to “Electric Architecture”, limited himself still to the illumination of individual wall segments, to additive projections of pattern sweeps moving at varying speeds. Zelko Wiener’s (audio-) video installations are one station towards rhythmic pulsing light image spaces.

Pittura Immedia 1995

Christoph Wiedemann

(...) Art as a drug!

Sueddeutsche Zeitung , Munich, 6/1991

Carin Steinlechner

A darkened room that is reachable via a corridor. Mirrors at exposed positions, which transport the work of art to a desired viewing point. Slowly, a computer controlled canvas is pulled up. (...) With it, a synthesizer beat, an intensified heart beat, which emphasises the reference to oneself.

M/M Munich 6/1991


		Zelko Wiener Reviews Thomas Dreher Zelko Wiener, in his contribution to “Electric Architecture”, limited himself still to the illumination of individual wall segments, to additive projections of pattern sweeps moving at varying speeds. Zelko Wiener’s (audio-) video installations are one station towards rhythmic pulsing light image spaces. Pittura Immedia 1995 Christoph Wiedemann (...) Art as a drug! Sueddeutsche Zeitung , Munich, 6/1991 Carin Steinlechner A darkened room that is reachable via a corridor. Mirrors at exposed positions, which transport the work of art to a desired viewing point. Slowly, a computer controlled canvas is pulled up. (...) With it, a synthesizer beat, an intensified heart beat, which emphasises the reference to oneself. M/M Munich 6/1991
			ANIMATION

			LARGE SCALE

			PANEL IMAGE

			REALTIME

			VIDEO-INSTALLATION

Nichts Bestimmtes. Opto-akustische Komposition für einen verspiegelten Raum - Nothing Definite. Optical-acoustic composition for a mirrored room. Sketch for the exhibition “Electric Architecture”, Lothringerstr., Munich, Germany, 1991
			DIGITAL PHOTOGRAPHY

			NETWORKING


	Zelko Wiener > Exhibition Shots and Reviews